Drum N Bass

SGN LTD Trei SGN016 VINYL 2009 sour[TheSurgeons org]

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`-----------------------:----': design.by.ant1k: __ ____ _______

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| | | | | | | | r e l e a s e i n f o: |

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\ /: _\ rippers /____: release no ( 10222 ) \ rating |: \_____. |: artist (Trei ) | .---. |: title (Shine On / Livewire ) | 0 | | |: record label (SGN:LTD (SGN016) ) | 9 |%%%| |: genre (Drum & Bass ) | 8 |%%%| |: release date (2009/07/29) | 7 |%%%| |: street date (2009/08/17) | 6 |%%%| |: | 5 |%%%| |: media type vinyl (x) tape ( ) cd ( ) radio ( ) | 4 |%%%| |: cover sfv m3u cover ( ) sfv (x) m3u (x) cue ( ) | 3 |%%%| |: | 2 |%%%| |: | 1 |%%%| |: (02 tracks) (12:22 min) ( 20.1 mb) | `---' |: `----------': _. ____ ____ ____ __

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| | | | | | | | | | | | t r a c k l i s t i n g: |

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|_____|__|__|_____|_____|__|__|: |: nr times track titles

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| A 6:03 Trei - Shine On |

| AA 6:19 Trei - Livewire |

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\ _ )_( _ /_\ |___( _ /_\__ )_( __/_( _ /_: | _ _/ /___/ | / /___/ _ |___ / /___/: |: | | | | | | | | | | | | | | |: |: |

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| | | |

| | Although a little younger Shogun offshoot | |

| | label often turns out some real gems by | |

| | lesser known producers and here is no | |

| | different as New Zealand's Trei gets his | |

| | first outing on SGN:LTD. Having already | |

| | notched up an impressive discography on | |

| | labels such as Critical, Klute's Commerical | |

| | Suicide and Bad Company's Bad Taste this one | |

| | looks set to take his profile that much | |

| | higher. | |

| | | |

| | "Shine On" has some very welcome feel-good | |

| | factor from the with its 'loves shining | |

| | throug vocal over the top of some rich | |

| | sunshine chords and light scattered | |

| | percussion to build the atmosphere. Finally | |

| | the long drawn out synth-bass rocks through | |

| | with a crisp break and we are treated to an | |

| | almost balearic excursion well in tune for | |

| | the open-air crew during those hazy summer | |

| | nights ahead. | |

| | | |

| | Trei gets things a little more running on the | |

| | flip with "Livewire" a track that won't fail | |

| | to get you bouncing. After a long tense intro | |

| | that builds with bongos, subtle string pads | |

| | and hi-hats a regal trumpet sample sounds and | |

| | we're off! A simple two-step break and cool | |

| | as hell b-line ensure this one keeps your | |

| | feet a movin' and your bodies groovin'. Nice! | |

| | | |

| | Big with the likes of Friction, Ed Rush, Andy | |

| | C, Cyantific, Bad Company and Sub Focus | |

| | amongst others. | |

| | | |

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| | | | | | | | | | | | d i s c l a i m e r: |

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| This release may contain copyrighted material, however SOUR guarantees |

| that this material was at least available to one person "on the street" |

| and that the possession of this material is in no way privileged. |

| |

| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |

| the internet drum'n'bass public since summer 1999. Originally a small |

| operation, we have now reached levels of international acclaim. |

| |

| SOUR is dedicated to both the availability and promotion of music to the |

| public, and our rips are intended to reflect these ideals. Specifically: |

| |

| . SOUR is dedicated to the promotion of new music that is currently |

| available to buy. If you like something you hear, you are obliged to |

| attempt to purchase an original copy. |

| |

| . SOUR is dedicated to the promotion of old music that may no longer be |

| available to buy. |

| |

| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |

| worldwide! We provide a service where none is available, specifically in |

| many remote countries where traditional distributors can not afford to |

| target. Also, the availability of drum'n'bass in an easily accessible |

| form expands the potential for real world sales to people who may not |

| otherwise have considered buying drum'n'bass. |

| |

| . SOUR is dedicated to the expansion of the online and offline real world |

| scenes. With more listeners enjoying what they hear, clubs and venues can |

| only expect MORE people to attend events; DJ's can only expect MORE |

| people to pay to see THEM. |

| |

| By accident of today's current real world distribution arrangements, many |

| artists will find that SOUR releases IMPROVE their real world sales; |

| especially for items only on vinyl. This is the basis upon which SOUR |

| operates. |

| |

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{} {\/\//\/\/\/\/\\/\\/\/\} {}

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{\/\/\/\/\//\/\/\/\/\\/\\/\/\/\/\/\}

{ Happy Birthday }

{ S.O.U.R. }

{/\/\/\/\/\\/\/\/\/\//\//\/\/\/\/\/} sour productions(c)1999-2009

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